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WALKER, SCOTT - THE DRIFT


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ARTIST:
TITLE:
The Drift
LABEL:
CATNO:
CAD2603
FORMAT:
Vinyl record
DESCRIPTION:
Avantgarde Downtempo Experimental With Sublime Baritone Vocals

There were intermittent soundtrack and score contributions of varying magnitudes, as well as a couple other low-key projects, but The Drift is Scott Walker's proper follow-up to 1995's Tilt, an album that also happened to trail its predecessor by 11 years. If 1984's Climate of Hunter put the MOR in morose, Tilt avoided the road completely and went straight toward the fractured, fraught images inside Walker's nightmares. It was entirely removed from anything that could've been classified as contemporary. The Drift isn't an equally severe leap from Tilt, but it is darker, less arranged, alternately more and less dense, and ultimately more frightening. Maybe it'll make your body temperature drop a few degrees. Working with what Walker has referred to as "blocks of sound," only a few of the album's 68 minutes have any connection to rock music, and many of those minutes are part of a harrowing 9/11 song that also obliquely references "Jailhouse Rock

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a1
Cossacks Are
a2
Clara
b1
Jesse
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Jolson And Jones
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Hand Me Ups
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Buzzers
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Psoriatic
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The Escape
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A Lover Loves

Last FM Information on Scott Walker

Please note the information is done on a artist keyword match and data is provided by LastFM.
Scott Walker (Noel Scott Engel, January 9, 1943 - March 22, 2019) was an American-born singer-songwriter, composer and record producer. He is noted for his distinctive baritone voice and for the unorthodox career path which took him from 1960s pop icon to 21st century avant-garde musician. Originally coming to fame in the mid-1960s singing orchestral pop ballads as the frontman of The Walker Brothers, Walker went on to a solo career balancing a light entertainment/MOR ballad approach with increasing artistic innovations in arrangement and writing. Despite a series of acclaimed albums, a disastrous drop in sales forced him back into straight Middle of the road recordings with little of his own artistic input. This in turn eventually led to a Walker Brothers reunion in the mid-1970s (although the latter eventually moved, by mutual consent, into more avant-garde areas). From the mid-1980s, Walker revived his solo career while drastically reinventing his artistic and compositional methods, via a series of acclaimed and vividly avant-garde albums. These combined his iconic voice with an unsettling avant-garde approach which owed more to modernist and post-modernist classical composition than to his pop singer past. This change in approach has been compared to "Andy Williams reinventing himself as Stockhausen". Walker has been a continuing influence on other artists, in particular The Last Shadow Puppets, Marc Almond, Goldfrapp, Douglas Pearce of the band Death in June, Billy MacKenzie of The Associates, David Sylvian, Julian Cope, Antony Hegarty, Thom Yorke, Steven Wilson, David Bowie, Leonard Cohen, Trey Spruance, Perry Blake, Radiohead, Noah Lennox, Mikael Åkerfeldt, and the Divine Comedy/Neil Hannon. Walker continued to release solo material until his death, and was signed to 4AD Records. As a record producer or guest performer he worked with a number of artists including Pulp, Ute Lemper, Bat For Lashes and Sunn O))). Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.