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RYO KAWASAKI - SELECTED WORKS PART 2 - 1976 TO 1980


ARTIST:
TITLE:
Selected Works Part 2 - 1976 to 1980
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CATNO:
NUNS010
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FORMAT:
Vinyl record
DESCRIPTION:
Such was the warmth of reception granted NuNorthern Soul's debut EP of Ryo Kawasaki music, the label's Phat Phil Cooper has decided upon a follow up. And having made over 25 albums in his almost five decade long career, there's plenty of Ryo's music to choose from.

Once again, Phil Cooper has chosen to concentrate on Kawasaki's mid-1970s to early 1980s period, a time which saw the guitarist living in New York, surrounded by and often playing alongside some of the finest jazz players of the era. It was a time of much experiment with jazz music and few things propel Kawasaki more than experimentation.

His mid-1970s period saw him explore what was to become known as jazz fusion music, a sometimes heavy-sounding variation, wild with revolutionary, new electronic sounds and steeped in funk and rock influences. From that period Kawasaki lead several album projects and the band Golden Dragon, upon whose recordings Kawasaki's famous, personally modified guitar synthesizer really comes to the fore. As he moved

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1
El Toro
2
Snowstorm
3
Quasar Infection
4
Nogie
5
Medley - Thunder & Sea Gypsys

Last FM Information on Ryo Kawasaki

Please note the information is done on a artist keyword match and data is provided by LastFM.
Ryo Kawasaki (川崎燎, born 25 February 1947, Kōenji, Tokyo, Japan - died 13 April 2020, Tallinn, Estonia) chose a career as a jazz fusion guitarist after spending some years studying as a scientist. During the 60s he played with various Japanese jazz groups and also formed his own bands. In the early 70s he came to New York where he settled and found steady work in very distinguished company, including the bands of Gil Evans, Elvin Jones, Chico Hamilton, Ted Curson and Joanne Brackeen. In the mid-80s, Kawasaki drifted out of performing music in favour of writing music software programmes for computers. He also produced several techno dance singles, forming his own company, Satellites Records, for their release. In 1991 he returned to jazz and proved to be as skilled and adept as ever on albums recorded for a Japanese label but marketed in the U.S. by his own company. Thanks to his long and wide experience, Kawasaki is able to switch with apparent ease between hard bop and jazz-rock. His playing is notable for its fluency and a sometimes hard-hitting style. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.