REFLEX/ GAYE, MARVIN/ GAINSBOURG, SERGE - GTGIU / SS&S

Reflex is the name of more than one artist: 1) is a French band, electronic music, house. 2) a pop/dance/electronic band from Russia. 3) a rock band from Turkey, fronted by ex-Pentagram (Mezarkabul) guitarist Murat Net. 4) a hardcore punk from Slovenia. 5) a Norwegian gospel choir 6) a disco/glitch DJ/producer residing in San Francisco, California. 7) a demoscene musician from France. Not to be confused with the British New Wave band Re-Flex. 1) Reflex ( Chill House / Future ) Reflex is from southern France and consists of Ludmila Cassar and André Dalcan The produce and perform as Reflex, making French music with shades of house, and chill. The music contains vintage synths, arpeggios, fat analog basslines and 808 claps. The have been gigging and deejaying in clubs and festivals. They've completed US tour which included SXSW, L.A, Vegas and more, and culminated in Hawaii + Europe and Asia tours. http://www.reflexmusic.fr Albums Album page: choices Album page: Choices (Remixes) Album page: Sunset - EP Album page: Sunset Album page: Together (Remix!) - EP Album page: Together (Remixes) Album page: Together - EP Album page: Together (Remixes) - EP Album page: Wavering (Remixes) Album page: Wavering - EP Album page: Together Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

Marvin Pentz Gay, Jr. (2 April 1939 - 1 April 1984) was an American soul and rnb singer, songwriter, producer, and multi-instrumentalist, known as "The Prince of Soul", or "The Prince of Motown." Originally a member of the doo-wop group The Moonglows, he pursued a solo career after the group disbanded and released many successful solo hits including "I Heard It Through the Grapevine", "Let's Get It On" and "What's Going On". His best albums are still held in extremely high regard, and he is often cited as one of the finest singers of his era. Marvin Pentz Gay, Jr. was born in 1939 to Marvin Gay, Sr. and Alberta Gay in Washington, D.C.. Gaye began his career in Motown in 1958, and soon became Motown's top solo male artist. He scored numerous hits during the 1960s, among them "Ain't That Peculiar", "Stubborn Kind of Fellow", and "How Sweet It Is (To Be Loved By You)", as well as several hit duets with Tammi Terrell, including "Ain't No Mountain High Enough"" and "You're All I Need to Get By", before moving on to his own form of musical self-expression. Along with Stevie Wonder, Gaye is notable for fighting the hit-making—but creatively restrictive—Motown record-making process, in which performers, songwriters and record producers were generally kept in separate camps. Gaye forced Motown to release his 1971 album What's Going On, which is today hailed as one of the best albums of all time. Subsequent releases proved that Gaye, who had been a part-time songwriter for Motown artists during his early years with the label, could write and produce his own singles without having to rely on the Motown system. This achievement would pave the way for the successes of later self-sufficient singer-songwriter-producers in African American music, such as Luther Vandross and Babyface. During the 1970s, Gaye would release several other notable albums, including Let's Get It On and I Want You, and released several successful singles such as "Come Get to This", "Got to Give It Up" and "Sexual Healing". By the time of his shooting death in 1984, at the hands of his clergyman father, Gaye had become one of the most influential artists of the soul music era. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

Serge Gainsbourg (April 2, 1928 – March 2, 1991) was a French poet-songwriter, singer, actor, novelist, painter and director. Gainsbourg's varied style and individuality made him difficult to categorize. Although famous in France for many years, he did not achieve his first No. 1 album until 1979, when he released Aux Armes et caetera more than twenty years after his music career had begun. But since the 1980s, his legacy has been firmly established. He was born Lucien Ginzburg in Paris, France, the son of Jewish Russian parents who fled to France after the 1917 Bolshevik uprising. His childhood was profoundly affected by the occupation of France by Nazi Germany, during which he and his family, as Jews, were forced to wear the yellow star and eventually flee from Paris. He had a daughter, Charlotte Gainsbourg, with English singer and actress Jane Birkin; and a son, Lulu, with his last partner, Bambou (Caroline Von Paulus, who is related to Friedrich Paulus). Before he was 30 years old, Lucien Ginsburg was a disillusioned painter but earned his living as a piano player in bars. Daughter Charlotte would later become an actress and singer. His early songs were influenced by Boris Vian and were largely in the vein of "old-fashioned" chanson. Very early, however, Gainsbourg began to move beyond this and experiment with a succession of different musical styles: jazz early on, English pop in the 60's, reggae in the 70's, even hip-hop in the 80's. Success began to arrive when, in 1965, his song "Poupée de cire, poupée de son" was the Luxembourg entry in the Eurovision Song Contest. Performed by French teen singer France Gall, it won the grand prize. (The song was covered in English as "A Lonely Singing Doll" by British teen idol Twinkle.) He arranged other Gall songs and LPs that were characteristic of the late 1960s psychedelic styles, among them Gall's '1968' album. Another of Serge's songs "Boum Bada Boum" was entered in by Monaco in the 1967 contest, sung by Minouche Barelli; It came 5th. In 1969, he released what would become his most famous song in the English-speaking world, "Je t'aime... moi non plus", which featured simulated sounds of female orgasm. The song appeared that year on an LP, "Jane Birkin/Serge Gainsbourg". Originally recorded with Brigitte Bardot, it was released with future girlfriend Birkin when Bardot backed out. While Gainsbourg declared it the "ultimate love song," it was considered too "hot"; the song was censored in various countries, and in France, even the toned-down version was suppressed. Even the Vatican made a public statement citing the song as offensive. Its notoriety led it to reaching no. 1 in the UK singles chart. A long-standing rumor maintains that Gainsbourg and Birkin were actually having sex during the recording session (asked about it in an interview, Gainsbourg answered that if this was true, the song would have lasted longer than 4 minutes). The seventies His most influential work came near the start of the seventies with Histoire de Melody Nelson, released in 1971. This concept album, produced and arranged by Jean-Claude Vannier, tells the story of a Lolita-esque affair, with Gainsbourg as the narrator and Jane Birkin as the eponymous English heroine. It features prominent string arrangements and even a massed choir at its tragic climax. At the time, sales were poor, but the album has proven influential with artists such as Air, David Holmes and Beck. In 1975, he released the album Rock Around the Bunker, a rock album written entirely on the subject of the Nazis. Gainsbourg used black humour, as he and his family suffered during World War II. While a child in Paris, Gainsbourg himself had worn the Yellow badge as the mark of a Jew. The next year saw the release of another major work, L'Homme à la Tête de Chou (Cabbage-Head Man), featuring the new character Marilou and sumptuous orchestral themes. In Jamaica in 1978 he recorded "Aux Armes et cetera," a reggae version of the French national anthem "La Marseillaise", with Robbie Shakespeare, Sly Dunbar and Rita Marley. This song earned him death threats from right-wing veterans of the Algerian War of Independence who were opposed to certain lyrics. Shortly afterwards, Gainsbourg bought the original manuscript of La Marseillaise. He was able to reply to his critics that his version was, in fact, closer to the original as the manuscript clearly shows the words "Aux armes et cætera..." for the chorus. The next year saw him in the new look of Gainsbarre, officially introduced in the song "Ecce Homo." Final years In the 1980's, approaching the end of his life, Gainsbourg became a regular figure on French TV. His appearances seemed devoted to his controversial sense of humour and provocation. He would frequently show up drunk and unshaven on stage. Perhaps his most famous incident came when, on Michel Drucker's live Saturday evening show with the American singer Whitney Houston, he exclaimed, "I want to fuck her." During this period he released Love On The Beat and his last studio album, You're Under Arrest, (which saw him adapt his style to the hip-hop genre), as well as two live recordings. His third and last Eurovision Song Contest entry came in 1990 with the French entry "White and Black Blues", sung by Joëlle Ursull. It came second in a tie with Ireland. His songs became increasingly eccentric in this period, ranging from the anti-drug "Les Enfants de la Chance" to the duet with his daughter Charlotte called "Lemon Incest (Un zeste de citron)." The title of the latter demonstrates Gainsbourg's love of puns (another example is "Bowie, Beau oui comme Bowie"). Discography : 1958 : Du Chant À La Une ! 1959 : Serge Gainsbourg N°2 1961 : L'étonnant Serge Gainsbourg 1962 : Serge Gainsbourg N° 4 1963 : Gainsbourg Confidentiel 1964 : Gainsbourg Percussions 1968 : Initials B.B. 1968 : Bonnie And Clyde ( with Brigitte Bardot ) 1969 : Jane Birkin-Serge Gainsbourg 1971 : Histoire de Melody Nelson ( with Jane Birkin ) 1973 : Vu de l'extérieur 1975 : Rock around the bunker 1976 : L'Homme à tête de chou 1979 : Aux armes et cætera 1981 : Mauvaises Nouvelles Des Étoiles 1984 : Love on the Beat 1987 : You're Under Arrest Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.