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PANIC! AT THE DISCO - DEATH OF A BACHELOR
- NEW RELEASEARTIST:
TITLE:
Death Of A Bachelor
LABEL:
CATNO:
0075678666636
STYLE:
Rock /
FORMAT:
Vinyl record
DESCRIPTION:
Sealed Rock LP Inc Free Download Code for The Album - As attention grabbing as a flashing neon sign on the Las Vegas strip, Panic! At the Disco's fifth studio album, 2016's Death of a Bachelor, is a volcano-sized martini glass of emotive, theatrical, genre-bending pop.
The first album recorded by the band since the departure of drummer Spencer Smith, who officially left in 2015, Death of a Bachelor is largely the vision of lead vocalist and founding member Brendon Urie. Inspired by Urie's 2013 marriage, as well as legendary vocalist Frank Sinatra's 100th birthday in 2015,
Death of a Bachelor works as a loose concept album celebrating the end of Urie's party-hearty single life, and his creative maturation from emo-pop poster boy to self-styled rock sophisticate. Produced by Urie along with Jake Sinclair (Five Seconds of Summer, Taylor Swift, P!nk), the album showcases an even more expansive sound than 2013's Too Weird to Live, Too Rare to Die!, rife with touches of body-bumping hip-hop, Sinatra-esque lyricism, and anthemic, Queen-like exuberance. Indeed, Panic! At the Disco have never been anything less than grandiose and Death of a Bachelor is no exception, revealing some of the group's most ambitious and over-the-top productions. With Sinclair, Weezer's Rivers Cuomo, Sam Hollander (Gym Class Heroes, Metro Station, Fitz & the Tantrums), and other collaborators at his side, Urie stuffs his songs with rambunctious, Beyoncé-ready beats, laser-toned synthesizers, muscular guitars, and a peacock's array of double-tracked vocals. Thankfully, he doesn't sacrifice any of Panic!'s infectious melodicism and pop craftsmanship in the process. Cuts like the gospel-inspired "Hallelujah" and the swaggeringly cheeky "Don't Threaten Me with a Good Time," self-consciously built around the B-52's "Rock Lobster" guitar riff, are as catchy as anything Panic! has ever created. Impressively, the densely if deftly packed production does little to detract from the sheer brilliance of Urie's voice on cuts like the burnished title track and wild-eyed, post-party hangover anthem "Victorious." Urie even summons his best Sinatra-style vocal warmth on the album’s closer, the languid, stylishly world-weary ballad "Impossible Year." Ultimately, Death of a Bachelor marks the final transformation of Panic! At the Disco from egalitarian emo band to collaborative pop band headed with singular charisma by Urie the uncontested chairman.
The first album recorded by the band since the departure of drummer Spencer Smith, who officially left in 2015, Death of a Bachelor is largely the vision of lead vocalist and founding member Brendon Urie. Inspired by Urie's 2013 marriage, as well as legendary vocalist Frank Sinatra's 100th birthday in 2015,
Death of a Bachelor works as a loose concept album celebrating the end of Urie's party-hearty single life, and his creative maturation from emo-pop poster boy to self-styled rock sophisticate. Produced by Urie along with Jake Sinclair (Five Seconds of Summer, Taylor Swift, P!nk), the album showcases an even more expansive sound than 2013's Too Weird to Live, Too Rare to Die!, rife with touches of body-bumping hip-hop, Sinatra-esque lyricism, and anthemic, Queen-like exuberance. Indeed, Panic! At the Disco have never been anything less than grandiose and Death of a Bachelor is no exception, revealing some of the group's most ambitious and over-the-top productions. With Sinclair, Weezer's Rivers Cuomo, Sam Hollander (Gym Class Heroes, Metro Station, Fitz & the Tantrums), and other collaborators at his side, Urie stuffs his songs with rambunctious, Beyoncé-ready beats, laser-toned synthesizers, muscular guitars, and a peacock's array of double-tracked vocals. Thankfully, he doesn't sacrifice any of Panic!'s infectious melodicism and pop craftsmanship in the process. Cuts like the gospel-inspired "Hallelujah" and the swaggeringly cheeky "Don't Threaten Me with a Good Time," self-consciously built around the B-52's "Rock Lobster" guitar riff, are as catchy as anything Panic! has ever created. Impressively, the densely if deftly packed production does little to detract from the sheer brilliance of Urie's voice on cuts like the burnished title track and wild-eyed, post-party hangover anthem "Victorious." Urie even summons his best Sinatra-style vocal warmth on the album’s closer, the languid, stylishly world-weary ballad "Impossible Year." Ultimately, Death of a Bachelor marks the final transformation of Panic! At the Disco from egalitarian emo band to collaborative pop band headed with singular charisma by Urie the uncontested chairman.
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Last FM Information on Panic! At the Disco
Please note the information is done on a artist keyword match and data is provided by LastFM.
Panic! at the Disco was an American pop rock band from Las Vegas, Nevada, formed in 2004 by childhood friends Ryan Ross, Spencer Smith, Brent Wilson, and Brendon Urie. Following several lineup changes, Panic! began operating as the solo project of frontman Urie from 2015 until the project's discontinuation in 2023.
Panic! at the Disco recorded their first demos while they were in high school. Shortly after, the band recorded and released their debut studio album, A Fever You Can't Sweat Out (2005). Popularized by the second single, "I Write Sins Not Tragedies", the album was certified triple platinum in the US. In 2006, founding bassist Brent Wilson was fired from the band during an extensive world tour and subsequently replaced by Jon Walker. The band's second album, Pretty. Odd. (2008), was preceded by the single "Nine in the Afternoon". That album marked a significant departure from the sound of the band's debut. In 2009, Ross and Walker formed a new band, the Young Veins, leaving Urie and Smith as the sole remaining members of Panic! at the Disco.
Continuing as a duo, Urie and Smith released a new single, "New Perspective", for the movie Jennifer's Body, and recruited bassist Dallon Weekes and guitarist Ian Crawford as touring musicians for live performances. Weekes was later inducted into the band's lineup as a full-time member in 2010. The band's third studio album, Vices & Virtues (2011), was recorded solely by Urie and Smith in 2010, produced by John Feldmann and Butch Walker. Crawford departed once the tour cycle for Vices & Virtues ended in 2012.
As a three-piece, Urie, Smith, and Weekes recorded and released the band's fourth studio album, Too Weird to Live, Too Rare to Die!, in 2013. Prior to the release of the album, Smith unofficially left the band due to health and drug-related issues, leaving Urie and Weekes as the remaining members. The duo recruited guitarist Kenneth Harris and drummer Dan Pawlovich as touring musicians for live performances.
In 2015, Smith officially left the band after not performing live with them since his departure in 2013. Shortly thereafter, Weekes reverted to being a touring member once again, resulting in Panic! becoming Urie's solo project. In April 2015, "Hallelujah" was released as the first single from Panic! at the Disco's fifth studio album, Death of a Bachelor (2016). In December 2017, Weekes officially announced his departure from the band. In March 2018, Panic! at the Disco released "Say Amen (Saturday Night)", the lead single from its sixth studio album, Pray for the Wicked (2018), which was released in June. Panic! at the Disco's seventh studio album, Viva Las Vengeance, was released on August 19, 2022.
On January 24, 2023, Urie officially announced that Panic! at the Disco would be disbanding following the conclusion of the Viva Las Vengeance Tour. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.