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MUNDELL, HUGH - MUNDELL
- NEW RELEASESorry, this item is currently unavailable.
ARTIST:
TITLE:
Mundell
LABEL:
CATNO:
0601811003619
STYLE:
Reggae /
FORMAT:
Vinyl record
DESCRIPTION:
Reggae / Dub Classic from 1982 Repressed for the New Generation - Junjo Lawes ruled the dancehalls in the early '80s, with a huge militant sound laid down to fiery perfection by the Roots Radics.
The producer's incendiary riddims supported Jamaica's biggest stars and launched a new generation of toasters straight to the top of the charts. This musical shift was accompanied by a thematic change as well, as lighter lyrical fare came to the fore. Many roots artists found the times tough, but not Hugh Mundell, who was young enough to ride this stylistic swing with ease. In 1982, the young star hooked up with Lawes and the Radics for the masterful Mundell album, with the producer providing his best riddims and creating superb versions that still stand the test of time. For "Rasta Have the Handle" and "Tell I a Lie," Lawes lit up the backing with soulful brass solos from Felix "Deadly Headly" Bennett, with Nambo Robinson's trombone in support, and beautifully in counterpoint with Mundell's own emotive vocals and cultural themes. Both of those are militant rockers numbers; in contrast, there's the bubbly, bouncy "Jah Music," the bright backing further lit by the exuberant horns. Winston Bope Bowne's lovely, lilting, lead guitar is the focal point of the romantic "24 Hours a Day," a song whose delicate flavor Lawes offsets with a taut rhythm. Gladstone Anderson's elegant piano work highlights "Red Gold & Green," while overhead Mundell showcases his most soulful vocals. Although "Handle" was the single, it was "Jacqueline" that was obviously built for the dancehalls, with its staccato rhythm, stripped down arrangement, and dubby aura, all of which pushes Mundell towards the more clipped vocal styling that had now taken hold.
Even the album's two least substantial numbers, "Your Face Is Familiar" and "Going Places," have such magnificent riddims that they could never be considered throwaways.
The producer's incendiary riddims supported Jamaica's biggest stars and launched a new generation of toasters straight to the top of the charts. This musical shift was accompanied by a thematic change as well, as lighter lyrical fare came to the fore. Many roots artists found the times tough, but not Hugh Mundell, who was young enough to ride this stylistic swing with ease. In 1982, the young star hooked up with Lawes and the Radics for the masterful Mundell album, with the producer providing his best riddims and creating superb versions that still stand the test of time. For "Rasta Have the Handle" and "Tell I a Lie," Lawes lit up the backing with soulful brass solos from Felix "Deadly Headly" Bennett, with Nambo Robinson's trombone in support, and beautifully in counterpoint with Mundell's own emotive vocals and cultural themes. Both of those are militant rockers numbers; in contrast, there's the bubbly, bouncy "Jah Music," the bright backing further lit by the exuberant horns. Winston Bope Bowne's lovely, lilting, lead guitar is the focal point of the romantic "24 Hours a Day," a song whose delicate flavor Lawes offsets with a taut rhythm. Gladstone Anderson's elegant piano work highlights "Red Gold & Green," while overhead Mundell showcases his most soulful vocals. Although "Handle" was the single, it was "Jacqueline" that was obviously built for the dancehalls, with its staccato rhythm, stripped down arrangement, and dubby aura, all of which pushes Mundell towards the more clipped vocal styling that had now taken hold.
Even the album's two least substantial numbers, "Your Face Is Familiar" and "Going Places," have such magnificent riddims that they could never be considered throwaways.
PRICE:
£18.99
RELEASED YEAR:
SLEEVE:
Mint (M)
MEDIA:
Mint (M)
BUY:
LISTEN:
Last FM Information on Hugh Mundell
Please note the information is done on a artist keyword match and data is provided by LastFM.
With the tragic murder of Hugh Mundell, who was shot and killed while sitting in a car with Junior Reid, reggae lost one of its most promising young performers. Mundell's 1978 debut album, Africa Must Be Free By 1983, produced by Augustus Pablo, in Jamaica remains a classic roots reggae recording. Mundell's singing style and soothing voice will lull you into tranquility if you let it.
Mundell, the son of a prominent Jamaican lawyer, was still a teenager when he teamed with influential producer Joe Gibbs to record a still-unreleased single, "'Where Is Natty Dread." His first break came when he was hired as a DJ for Augustus Pablo's Rockers sound system. His debut single, "Africa Must Be Free by 1983", produced by Augustus Pablo, was released in early 1978. Mundell also recorded several 12" singles as Jah Levi.
Mundell continued recording with Pablo. The albums Time & Place and Blackman's Foundation followed shortly after, and then a few tracks for Prince Jammy were gathered together along with some of Lacksley Castell's, put on an album and called Jah Fire.
Beginning in 1979, Mundell took over the production of his own recordings. He released his Mundell album on Greensleeves in 1982. He also produced the debut album, Speak the Truth, by "Little" Junior Reid, on Pablo's label, Rockers.
In 1983 he became involved in an argument and was shot in the neck. Shortly afterwards, his posthumous album Arise was released. A dub version of Africa Must Be Free By 1983 was released in 1989 and then packaged with the original by Greensleeves and RAS, and then Makasound packaged Time & Place and Blackman's Foundation together and released it as The Blessed Youth in 2003. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.