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LANEGAN, MARK - STRAIGHT SONGS OF SORROW
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Straight Songs Of Sorrow
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HVNLP178
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2x12" Rock LP Pressed on 180g Vinyl - Inc Downlaod Code- When considering any great work of art, be it a painting, a novel, or a piece of music, it’s natural to wonder what might have inspired it: ‘the story behind the song’. Mark Lanegan’s new album, Straight Songs Of Sorrow, flips that equation. Here are 15 songs inspired by a story: his life story, as documented by his own hand in his new memoir, Sing Backwards And Weep.
The book is a brutal, nerve-shredding read, thanks to Lanegan’s unsparing candour in recounting a journey from troubled youth in eastern Washington, through his drug-stained existence amid the ’90s Seattle rock scene, to an unlikely salvation at the dawn of the 21st century. There’s death and tragedy, yet also humour and hope, thanks to the tenacity which impels its host, even at his lowest moments. As Lanegan writes near the end: “I was the ghost that wouldn’t die.”
Today, Lanegan is a renowned songwriter and a much-coveted collaborator, as adept at electronica as with rock, constantly honing his indomitable voice: an asphalt-laced linctus for the soul. While the memoir documents a struggle to find peace with himself, his new album emphasis the extent to which he came to realise that music is his life.
“Writing the book, I didn’t get catharsis,” he chuckles. “All I got was a Pandora’s box full of pain and misery. I went way in, and remembered shit I’d put away 20 years ago. But I started writing these songs the minute I was done, and I realised there was a depth of emotion because they were all linked to memories from this book. It was a relief to suddenly go back to music. Then I realised that was the gift of the book: these songs. I’m really proud of this record.”
Straight Songs Of Sorrow combines musical trace elements from early Mark Lanegan albums with the synthesized constructs of later work. The meditative acoustic guitar fingerpicking – provided by Lamb Of God’s Mark Morton – on Apples From A Tree and Hanging On (For DRC) echo 1994’s Whiskey For The Holy Ghost. Yet one of that record’s touchstones was Van Morrison’s Astral Weeks, echoed in the new album’s opener I Wouldn’t Want To Say, where Lanegan extemporises *à la Ballerina over musique concrète wave patterns generated by his latest favourite compositional tool, a miniature computer-synth called the Organelle. The lyric clings onto the music, emulating his book’s queasy momentum: *“Swinging from death… to revival.”
“That song is the explanation, the beginning and middle and end of that entire period of time,” Mark says. “The encapsulation of the entire experience, book and record. So I started with that.”
Lanegan affirms that every song references a specific episode or person in the book, albeit some more explicitly than others. Hanging On (For DRC) is a loving ode to his friend Dylan Carlson, genius progenitor of drone metal and a fellow unlikely survivor of Seattle’s narcotic dramas. “I was always unhappy, and he was the guy who was always smiling, even through my crazy schemes that eventually got both of us into a lot of trouble.” The richly cinematic mood of Daylight In The Nocturnal House, meanwhile, paints a more impressionistic scene: factory smoke, rain, a phone call from *“somebody’s grand-daughter”, who’ll *“pay to make somebody crawl/And send you to heaven.” The singer’s perspective is ambiguous. “I got into a lot of shady business in those years,” Lanegan says.
Longtime observers will recognise some familiar recurrent themes. Death. Destruction. Bad behaviour. In the case of At Zero Below, all in the same song. “Yes, I did burn someone with a cigarette,” Mark says. “Yes, I did spit in somebody’s face – maybe more than once in my life. Stuff I’m not proud of. That song is also about one of my many ex-girlfriends who is no longer with us. It’s all linked to the book.”
At Zero Below features two of the album’s many stellar guests. Singing admonitory harmonies with himself is Greg Dulli, another ’90s alt-rock vet
The book is a brutal, nerve-shredding read, thanks to Lanegan’s unsparing candour in recounting a journey from troubled youth in eastern Washington, through his drug-stained existence amid the ’90s Seattle rock scene, to an unlikely salvation at the dawn of the 21st century. There’s death and tragedy, yet also humour and hope, thanks to the tenacity which impels its host, even at his lowest moments. As Lanegan writes near the end: “I was the ghost that wouldn’t die.”
Today, Lanegan is a renowned songwriter and a much-coveted collaborator, as adept at electronica as with rock, constantly honing his indomitable voice: an asphalt-laced linctus for the soul. While the memoir documents a struggle to find peace with himself, his new album emphasis the extent to which he came to realise that music is his life.
“Writing the book, I didn’t get catharsis,” he chuckles. “All I got was a Pandora’s box full of pain and misery. I went way in, and remembered shit I’d put away 20 years ago. But I started writing these songs the minute I was done, and I realised there was a depth of emotion because they were all linked to memories from this book. It was a relief to suddenly go back to music. Then I realised that was the gift of the book: these songs. I’m really proud of this record.”
Straight Songs Of Sorrow combines musical trace elements from early Mark Lanegan albums with the synthesized constructs of later work. The meditative acoustic guitar fingerpicking – provided by Lamb Of God’s Mark Morton – on Apples From A Tree and Hanging On (For DRC) echo 1994’s Whiskey For The Holy Ghost. Yet one of that record’s touchstones was Van Morrison’s Astral Weeks, echoed in the new album’s opener I Wouldn’t Want To Say, where Lanegan extemporises *à la Ballerina over musique concrète wave patterns generated by his latest favourite compositional tool, a miniature computer-synth called the Organelle. The lyric clings onto the music, emulating his book’s queasy momentum: *“Swinging from death… to revival.”
“That song is the explanation, the beginning and middle and end of that entire period of time,” Mark says. “The encapsulation of the entire experience, book and record. So I started with that.”
Lanegan affirms that every song references a specific episode or person in the book, albeit some more explicitly than others. Hanging On (For DRC) is a loving ode to his friend Dylan Carlson, genius progenitor of drone metal and a fellow unlikely survivor of Seattle’s narcotic dramas. “I was always unhappy, and he was the guy who was always smiling, even through my crazy schemes that eventually got both of us into a lot of trouble.” The richly cinematic mood of Daylight In The Nocturnal House, meanwhile, paints a more impressionistic scene: factory smoke, rain, a phone call from *“somebody’s grand-daughter”, who’ll *“pay to make somebody crawl/And send you to heaven.” The singer’s perspective is ambiguous. “I got into a lot of shady business in those years,” Lanegan says.
Longtime observers will recognise some familiar recurrent themes. Death. Destruction. Bad behaviour. In the case of At Zero Below, all in the same song. “Yes, I did burn someone with a cigarette,” Mark says. “Yes, I did spit in somebody’s face – maybe more than once in my life. Stuff I’m not proud of. That song is also about one of my many ex-girlfriends who is no longer with us. It’s all linked to the book.”
At Zero Below features two of the album’s many stellar guests. Singing admonitory harmonies with himself is Greg Dulli, another ’90s alt-rock vet
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Last FM Information on Mark Lanegan
Please note the information is done on a artist keyword match and data is provided by LastFM.
Mark William Lanegan (November 25, 1964 – February 22, 2022) was an American singer, songwriter, and poet. First becoming prominent as the lead singer for the early grunge band Screaming Trees, he was also known as a member of Queens of the Stone Age and The Gutter Twins. He released 12 solo studio albums, as well as three collaboration albums with Isobel Campbell and two with Duke Garwood. He was known for his baritone voice, which was described as being "as scratchy as a three-day beard yet as supple and pliable as moccasin leather" and has been compared to Tom Waits, Leonard Cohen, and Nick Cave.
Lanegan began his musical career in 1984 with Screaming Trees, with whom he released seven studio albums and five EPs before their disbandment in 2000. During his time with the band, he also started a solo career and released his first solo studio album, The Winding Sheet, in 1990. He subsequently released a further 10 solo albums, which received critical recognition but only moderate commercial success. Following the end of Screaming Trees, he became a frequent collaborator of Queens of the Stone Age, and was a full-time member between 2001 and 2005 during the Songs for the Deaf and Lullabies to Paralyze eras.
Lanegan collaborated with various artists throughout his career. In the 1990s, he and Kurt Cobain recorded an album of Lead Belly covers that was ultimately never released. He also joined Layne Staley and Mike McCready in the band Mad Season, and formed the alternative rock group The Gutter Twins with Greg Dulli in 2003, as well as contributing to releases by Moby, Bomb the Bass, Soulsavers, Tinariwen, The Twilight Singers, Manic Street Preachers, and Unkle, among others.
Lanegan struggled with addiction to drugs and alcohol throughout his life, but had been sober for over a decade at the time of his death. Encouraged by his friend Anthony Bourdain, he released the memoir Sing Backwards and Weep in 2020. He followed this up in 2021 with the memoir Devil in a Coma, which focused on his near-death experience with COVID-19. He and his wife Shelley Brien left the U.S. in 2020 and settled in the Irish town of Killarney, where he died two years later at the age of 57. No cause of death was revealed.
Studio albums
The Winding Sheet (1990)
Whiskey for the Holy Ghost (1994)
Scraps at Midnight (1998)
I'll Take Care of You (1999)
Field Songs (2001)
Bubblegum (2004)
Blues Funeral (2012)
Imitations (2013)
Phantom Radio (2014)
Gargoyle (2017)
Somebody's Knocking (2019)
Straight Songs of Sorrow (2020) Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.