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CREATION REBEL - PSYCHOTIC JONKANOO


ARTIST:
TITLE:
Psychotic Jonkanoo
LABEL:
CATNO:
ONULP45
STYLE:
Dub / Reggae /
FORMAT:
Vinyl record
DESCRIPTION:
Dub / Reggae LP - First time available on vinyl since 1982. Psychotic Jonkanoo was the sixth Creation Rebel album in three years, originally licensed to the post-punk oriented Glaswegian label Statik. Another solid set of killer dub, albeit less instrumentally inclined than their previous efforts and more focussed on militant-style conscious chants. Bandleader Crucial Tony was aided on the vocal front by harmonies from other group members, in a style reminiscent of Black Uhuru, plus the occasional guest such as John Lydon of the Sex Pistols and Public Image Limited providing backing harmony (!) on “Mother Don’t Cry”, and the legendary Deadly Headley Bennett adding saxophone to the opening track.

PRICE:
£22.99
RELEASED YEAR:
SLEEVE:
New
MEDIA:
New

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LISTEN:
Play       Cue Sample

TRACK LISTING:

Click to listen - add to playlist or download mp3 sample.

PLAY
 
CUE
MP3
a1
The Dope
a2
African Space
a3
Chatti Mouth / Threat To Creation
b1
Highest Degree
b2
Mother Don’t Cry
b3
Yuk Up
b4
Drum Talk

Last FM Information on Creation Rebel

Please note the information is done on a artist keyword match and data is provided by LastFM.
The product of the fertile and prolific British producer, mixmaster, and dub genius Adrian Sherwood, Creation Rebel was one of Sherwood's first endeavours as a producer. Originally the backing group for the late reggae great Prince Far-I, Creation Rebel worked with Sherwood from 1977-1980, recording some of the best reggae dub music this side of Lee Perry during the early English punk era. Languorous, funky, spacy, and totally intoxicating, it's exciting to hear the awesome production/mixing talents of Sherwood in their early days. Similarly, the band (drummers Style Scott and Fish Clarke, bassist Clinton Jack, keyboardist Bigga Morrison, guitarist Crucial Tony, and percussionist Slicker) play with a grace, effortlessness, and power that most studio bands would kill to achieve. With the band's talents so wonderfully used by Sherwood, this is without a doubt some of the best and most important non-rock music to be made in England in the late '70s. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.