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COM TRUISE - IN DECAY TOO
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ARTIST:
TITLE:
In Decay Too
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CATNO:
GI372LPC1
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FORMAT:
Vinyl record
DESCRIPTION:
2X12" Compilation LP OF Downbeat Electronica, Synth, & Ambient On Ltd Edition Storm Vinyl & Includes MP3 of Album.
Much like its predecessor, In Decay, the 2014 compilation of unreleased, early Com Truise recordings, In Decay, Too unlocks a new set of rarities and unheard fragments from the past for the producer’s legion of fans. To accomplish such a feat, the Com camp tapped the Internet’s foremost Com Truise archivist, Polychora (formerly Comrade), whose YouTube channel has diligently documented Seth Haley’s musical output since his earliest Komputer Cast (Haley’s podcast mix series) days. Polychora’s vault and input helped Haley and the team locate and curate the ultimate sequence of career-spanning off-album material, showcasing an artist in perpetual orbit of hazy machinist nostalgia. Haley’s singular style of melodic beat music is the work of countless iterations; with In Decay, Too, his idiosyncratic exercises, experiments, and pivots pause for a rightful wave of appreciation.
Following the smeared introductory tones of “Zeta,” the album locks into its first robotic groove on “Compress— Fuse,” a trademark Truise treatment with cascading synth lines and deep, sinister low-end bass stabs. Further down is the suspiciously bright “False Ascendancy,” which lures listeners through a labyrinth of drum patterns and siren-like keys, all colliding into “Constant Fracture.” The track pushes to the point of stress, reaching the album’s apex with a punishing series of blows before fading to relief, where the beatless and contemplative “Trajectory” awaits.
In 2019, Com Truise left his previous sci-fi narratives behind for the visceral Persuasion System, a markedly more human record, which now makes In Decay, Too something like a bookend to an era. One last transmission from coordinates unknown; a culminating exhale ahead of what’s still yet to come.
Much like its predecessor, In Decay, the 2014 compilation of unreleased, early Com Truise recordings, In Decay, Too unlocks a new set of rarities and unheard fragments from the past for the producer’s legion of fans. To accomplish such a feat, the Com camp tapped the Internet’s foremost Com Truise archivist, Polychora (formerly Comrade), whose YouTube channel has diligently documented Seth Haley’s musical output since his earliest Komputer Cast (Haley’s podcast mix series) days. Polychora’s vault and input helped Haley and the team locate and curate the ultimate sequence of career-spanning off-album material, showcasing an artist in perpetual orbit of hazy machinist nostalgia. Haley’s singular style of melodic beat music is the work of countless iterations; with In Decay, Too, his idiosyncratic exercises, experiments, and pivots pause for a rightful wave of appreciation.
Following the smeared introductory tones of “Zeta,” the album locks into its first robotic groove on “Compress— Fuse,” a trademark Truise treatment with cascading synth lines and deep, sinister low-end bass stabs. Further down is the suspiciously bright “False Ascendancy,” which lures listeners through a labyrinth of drum patterns and siren-like keys, all colliding into “Constant Fracture.” The track pushes to the point of stress, reaching the album’s apex with a punishing series of blows before fading to relief, where the beatless and contemplative “Trajectory” awaits.
In 2019, Com Truise left his previous sci-fi narratives behind for the visceral Persuasion System, a markedly more human record, which now makes In Decay, Too something like a bookend to an era. One last transmission from coordinates unknown; a culminating exhale ahead of what’s still yet to come.
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Last FM Information on Com Truise
Please note the information is done on a artist keyword match and data is provided by LastFM.
Com Truise is one of the many personas of producer and designer Seth Haley, born and raised in upstate New York and operating out of a 12’-overrun apartment in Princeton, New Jersey. An admitted synth obsessive, Com Truise is the maker of an experimental and bottom heavy style he calls “mid-fi synthwave, slow-motion funk”.
Haley’s been making music on the side since the early 2000s —going through pseudonyms like toothbrushes (Sarin Sunday, SYSTM, Airliner)—first as a DJ, and currently, as an excavator of softer, window-fogging synthwave.
While subliminally informed by both parental record collections and hints of faded electronics product design, Haley’s Com Truise project isn’t just nostalgia capitalization. There are fragments (read: DNA strands) of Joy Division, New Order, and the Cocteau Twins, but it’s like you’re hearing them through the motherboard of a waterlogged Xbox—demented and modern. He’s got a way of making familiar things sound beautifully hand-smeared.
In 2011, the first Com Truise release was the Cyanide Sisters EP—distributed for free on the AMdiscs label—where mellow stone-outs like “Sundriped” and “Slow Peels” sat next to harder IDM bangers (“BASF Ace” and “IWYWAW”) and bumpy alt-funk trips (“Norkuy” and “Komputer”). After that came a single “Pyragony/Trypyra,” and a series of eclectic podcast mixes titled “Komputer Cast.” Now comfortably situated amidst the Ghostly roster, he’s prepping his next warped pillage, and hopefully not changing that name again. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.