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BOYS NEXT DOOR - DOOR, DOOR


ARTIST:
TITLE:
Door, Door
LABEL:
CATNO:
5054197066856
STYLE:
Rock /
FORMAT:
Vinyl record
DESCRIPTION:
For RSD 2020 - Alternative Rock, Experimental 40th Year Anniversary Edition - 40th Anniversary reissue of the first album featuring Nick Cave, before the band's name morphed into The Birthday Party and prior to the formation of his next band, Nick Cave and the Bad Seeds.Includes the classic "Shivers," which has recently been covered by the likes of Cat Power & Courtney Barnett, to name a few; The Nightwatchman Brave Exhibitions Friends Of My World The Voice Roman Roman Somebody's Watching After A Fashion Dive Position I Mistake Myself Shivers

PRICE:
£23.99
RELEASED YEAR:
SLEEVE:
New
MEDIA:
New

BUY:
 
 
LISTEN:
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TRACK LISTING:

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PLAY
 
CUE
MP3
a1
The Nightwatchman
a2
Brave Exhibitions
a3
Friends Of My World
a4
The Voice
a5
Roman Roman
a6
Somebody's Watching
b1
After A Fashion
b2
Dive Position
b3
Mistake Myself
b4
Shivers

Last FM Information on Boys Next Door

Please note the information is done on a artist keyword match and data is provided by LastFM.
Before there was The Birthday Party.... Nick Cave's first band. The nucleus of the band first met at the private boys school Caulfield Grammar School (in suburban Melbourne) in the early seventies. A rock group was formed in 1973 with Nick Cave (vocals), Mick Harvey (guitar), and Phill Calvert (drums), with other students on guitar, bass and saxophone. Most were also members of the school choir. The band played under various names at parties and school functions with a mixed pre-punk repertoire of David Bowie, Lou Reed, Roxy Music, Alice Cooper and the Sensational Alex Harvey Band, among others. After their final school year in 1975 the band decided to continue with friend Tracy Pew picking up the bass. Greatly affected by the punk explosion of 1976 which saw Australian bands The Saints and Radio Birdman making their first recordings and tours, The Boys Next Door, as they were now called, began performing fast original New Wave material in 1977. Rowland S. Howard joined in 1978, and about this time, the group's sound changed dramatically. The addition of Howard's guitar was certainly a catalyst (his later use of audio feedback being a hallmark of the group) but there were other changes, as well: their sound drew upon punk, rockabilly, free jazz and the rawest blues, but transcended concise categorisation. Many songs were driven by prominent, repetitive basslines and drumwork that sounded like an angry Gene Krupa. Though the band was tightly rehearsed, the instrumentalists often sounded as if they were on the verge of collapse, this quality only emphasising the newfound mania of Cave's singing, and his expressionist lyrics. In producer/engineer Tony Cohen they found a willing accomplice to their experimentation and their refusal to repeat themselves; and in manager Keith Glass they found an enthusiastic financial backer. Glass' label Missing Link Records released all of the early Birthday Party records. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.